The musician needs no introduction but his painter alter ego, Scotty Ramon, got one at a special screening for his documentary Echoes of the Past at the Miami Beach Edition
The multidisciplinary creative is teaming up with Lenovo’s Make Space platform, which just launched an incubator tool for artistic collaboration
‘All rebellious gestures eventually get assimilated’: We speak with co-writer Matt Copson about why Cobain has endured as a cultural symbol, our yearning for authenticity, and looking for magic in the...
From basic bitches to medieval warriors and The Devil Wears Prada 2, these were the articles you couldn’t get enough of this year
In 2026, for the first time in years, the outer planets begin forming rare positive alignments, welcoming us into a more constructive, forward-facing era. It’s a pivotal moment when the world remember...
From a queer festival on the sun-soaked Cretan shoreline to a bustling barbershop in Rio’s largest favela
‘It’s a movie we need in 2025’: Director Joachim Trier discusses his acclaimed follow-up to The Worst Person in the World, alongside stars Stellan Skarsgård, Renate Reinsve and Elle Fanning
Dazed Beauty Entertainment Editor Aquaria shows us how to create a weeping Virgin Mary drag look just in time for the holidays – Hallelujah!
Our favorite art shows and films of 2025, figure models fight for their rights, Joan Semmel's body paintings, the rise of Crusadercore, and much more.
An appeal to the mayor-elect from an art worker, a controversial nativity scene in Belgium, and were medieval Psalms elitist?
Long-term loans to former colonies are not restitution. They do not acknowledge historical wrongdoing, nor do they restore agency to source communities.
A letter to Smithsonian Secretary Lonnie G. Bunch reiterates that federal funds are conditional on the organization turning over records, including exhibition drafts.
We walk you through the incestuous, murderous, and surprisingly relatable world of Egyptian deities at The Met.
The elusive street artist’s latest stencil may reference the tens of thousands of unhoused children living in London.
In all its artistic iterations across millennia, the nativity remains inherently political in its depiction of God choosing to enter the world in marginalized circumstances.